The primary focus of my research investigates the perceptions of and relationships between places, spaces and human habitation. My questions revolve around how these perceptions underpin our sense of self as well as howlandscape is cultural space – a space formed by and informing culture.
Julia Davis is a site-specific artist based out of Sydney, Australia. Over the past decade Davis’ work has been installed in salt lakes, deserts, coastal precincts, parklands, galleries and built environments. Her practice explores the perceptions and relationships between objects, places and spaces. More recently, Davis’ work has attended to the viewer’s experiential reading of space in terms of temporality and duration. She has exhibited in Australia, Germany, Italy and Spain, and is the recipient of numerous awards including the NAVA NSW artist grant (2011), the Helen Lempriere National Sculpture Award (2007), the Woollahra Sculpture Prize (2006) and the NGSW Director’s prize (2002). She currently teaches sculpture at TAFE and holds an MVA from Sydney College of Arts.
Consilience: as the world turns, 2013/14, Time-lapse HD video, stereo sound, 07:49 (loop).
Concept/performance: Julia Davis
Camera: Alex Cherney
Compositing: Matt Fezz
Sound: Paul Huntingford, Julia Davis Thanks to NASA for extracts of sound from Voyager 1 & 11’s first recording of interstellar space and encounter with Saturn 1980.
My work explores the effect of time on understandings of the body in relation to landscape and how this underpins our sense of self and place. I often work in ‘active‘ landscapes such as deserts, volcanic areas, coastal precincts and salt lakes and am interested in the idea that landscape is cultural space – a space informed by and informing culture.
In geological time, the landscape moves, pulses and crashes in processes of coming into and out of existence. The often, violent imagery of turbulent volcanic ash clouds used in recent works translates here in this vast Southern Hemisphere sky which elicits contradictory feelings of foreboding and rapture. Tension between anticipated loss and subsequent renewal, as well as the duality of processes that create and destroy, corrode and protect are ongoing interests in Davis’s art practice. The ‘active’ places she refers to mirror the fragile human experience of movement, instability, rhythm, reflection and change. In my work, geological time and human perception merge into a single spatial experience and take us closer to a sense of the world as our place.
Through this work, I explore what Elizabeth Grosz calls in her book, The Nick of Time, the “brute world of materiality, a world regulated by the exigencies, the forces of space and time.” I question how our immersion in time and place affects both our sense of embodiment and our perception of ourselves. Her installations, videos and prints evoke desire, vulnerability and anxiety; a sense of being poised at the edge of a world that is fraught with man made and natural disaster.
You can also view Julia’s work produced during an IASKA’s residency in Western Australia, SPACED: art out of place, 2010
Ephemeral Coast is an international, 4-year curatorial research project led by Celina Jeffery (University of Ottawa, Canada).